Starck released Cassina Croque la pomme in 2019, a furniture collection for Cassina, entirely made from a vegan fabric, with apple leather. In 2012, Starck released Broom for Emeco, an anti-waste chair made of materials collected in lumber and plastic plants factories. Zartan, created for Magis in 2010, is a chair entirely made from natural material as bamboo, linen and hemp fiber, a non-toxic and biodegradable alternative to replace plastic. Maison Heler is a phantasmagoric building topped by a traditional Alsatian house, a poetic symbol of the region that should open in 2021. Starck was commissioned by the Hilton Worldwide to create entirely a new hotel in Metz, France. Starck also designed affordable and adjustable pre-fabricated P.A.T.H. The Alhondiga, a 43,000 square-meter culture and leisure venue in Bilbao designed by Starck, opened in 2010. Starck has designed several restaurants, including in the early years, the Café Costes (1984) in Paris, Manin (1985) in Tokyo, Theatron (1985) in Mexico City, Teatriz (1990) in Madrid or more recently several restaurants with the Alajmo brothers in Paris, Venice and Milan: Caffe Stern (2014), Amo (2016), Gran Caffe Quadri (2018) and Amor (2019), La Réserve à la Plage in Saint Tropez with Michel Reybier Hospitality, The Avenue at Saks in New York in 2019. In 2019, Starck created the Lily of the Valley Hotel on the French Riviera and in 2020, opened La Réserve Eden au Lac Zurich. Also in France, in the South West, Philippe Starck designed La Co(o)rniche and Ha(a)itza hotels, both in Arcachon, near the Dune of Pilat. Since the late 1980s, Starck has designed several hotels in different countries, these include the Royalton Hotel (1988) and the lobby of the Paramount Hotel (1990) in New York City, the Delano in Miami, the Hudson Hotel Īnd the Mondrian Hotel in West Hollywood, the Sanderson the Saint Martin's Lane in London, Le Meurice renovations in 2016, the Royal Monceau (2010) as well as more recently the Hotel Brach (2018) and the Hotel 9Confidentiel (2018), in Paris. In 1991, Starck designed one of the pavilions for the new Groninger Museum. In France he designed the extension of the École Nationale Supérieure des Arts Décoratifs ( ENSAD) in Paris (1998). This was followed in 1992 by Le Baron Vert office complex in Osaka. Ī year later he designed the Asahi Beer Hall in Tokyo, a building topped with a golden flame. The first, Nani Nani, in Tokyo, described as a biomorphic shed. The buildings he designed in Japan, starting in 1989, went against the grain of traditional forms. Dick's novel, and began working with manufacturers in Italy (Driade), Alessi, Kartell, and internationally, including Drimmer in Austria, Vitra in Switzerland and Disform in Spain. ![]() While working for Adidas, Starck set up his first industrial design company, Starck Product, which he later renamed Ubik after Philip K. He studied at the École Nissim de Camondo in Paris. His family was originally from and lived in the Alsace region, before his grandfather moved to Paris. He says that his father often inspired him because he was an engineer, who made invention a "duty". He is the son of André Starck, who was an aeronautics engineer. Starck was born on 18 January 1949 in Paris. And the lamp head obstructed the monitor by about a half-inch, so we had to adapt to the lamp, rather than the other way around.Philippe Starck ( French pronunciation: born 18 January 1949) is a French industrial architect and designer known for his wide range of designs, including interior design, architecture, household objects, furniture, boats and other vehicles. With our external monitor standing at a similar height, the two battled for elbow room. But this non-height-adjustable desk lamp proved to be a non-starter for our own desk setup. There’s also an app to pair the lamp’s geographic location, syncing the Solarcycle Morph’s color and brightness to the time of day. ![]() When the lamp is aimed at an angle toward a ceiling or wall, it outshines most other desk lamps-and even many floor ones. When you rotate the lamp head over its center stand tube, a sleeve slides up to lock satisfyingly into place and directs light down through its perforated stem-effectively transforming into a warm, ambient torchiere. Yet we couldn’t deny the appeal of the lamp’s buttery-smooth movement and its three-in-one adaptability as a task, spot, and ambient light source. ![]() An adaptable (but pricey) desk lamp: The Dyson Solarcycle Morph’s unique, industrial-modern design and hefty price tag won’t turn everyone on.
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